Showing posts with label Rebecca Zook Fine Art. Show all posts
Showing posts with label Rebecca Zook Fine Art. Show all posts

Monday, April 16, 2012

Remembering


Tom was never big on holidays…or celebrating anything that was defined by a specific date on the calendar. Valentine's was "fabricated by Hallmark." Our birthdays were a week apart, so we just celebrated both at the same time whenever was convenient which often just worked out to be Thanksgiving. Neither one of us could remember our anniversary. My sister used to send a congratulatory e-mail each year and I'd run into Tom's office and say, "Guess what? Happy anniversary!" When we first moved in together Tom's neighbors were thrilled when I put up Christmas lights. Even the grumpy old man next door could be counted on to hang one string around one window. One string more than Tom.

This was difficult for me. I loved looking forward to holidays. I loved the decorations and the food associated with them. For me the passing of the year was punctuated, if not defined, by these specific calendar dates. Over time I switched my focus. It became about the seasons. As an avid gardener, I'd anxiously anticipate Spring. Each new wildflower that appeared brought joy. What plants were going to return to my garden? What new ones could I try out? The smell of jasmine. I even love weeding. Summer became about the lake, the reappearance of lightning bugs and the sounds of the cicadas and sweet honeysuckle vine. Fall, my favorite season, was all about the colors, the orange pumpkins and gourds, the oaks turning vivid maroon, orange and yellow. A second garden growing season, the reblooming of my mums. Also, a welcome respite from the intense heat of a Texas summer when that first cool breeze touched my skin. Winter was still about Christmas. I couldn't give up the traditions surrounding it, not to mention a growing antique ornament collection, but my holiday decorating had grown on Tom. One year when I was still struggling with my illness, I could barely walk let alone climb a ladder hanging garland, wreaths and ornaments, Tom admitted missing the decorations; that it just didn't feel like Christmas. He bought me a little cut tree that I could sit on the sofa to decorate, giving me a little bit of normalcy.

I found that Tom loved and looked forward to the changing seasons as much as me. He had an avid love of nature and saw the same beauty in it I did. This was our compromise. Perhaps dates weren't all that important. Every day holds limitless possibilities. Each and every date important.

Today the smell of jasmine hung heavy in the air as I walked out the door. Today I will sit in what was Tom's office at work, now a meeting room, and see in my mind how it used to look with little wind-up robots on the desk and photos of the furry and feathered kids pinned to a bulletin board. Today is the anniversary of Tom's death. I will not dwell on the sadness but instead remember how grateful I am for the time I was given with him and how he taught me that I was worth something. How thankful I was that he was with his other best friend at the time of the accident and how lucky I was that he told me he had never been happier in his life, shortly before his death.

Sunday, August 21, 2011

Wisdom of Age


Have you ever gone back and watched a movie that you loved as a teenager…10 to 15 years later only to wonder, "That was terrible. What was I thinking?" It's only natural that our tastes would change as we mature and learn more about ourselves and the world around us. Then there are the movies that are truly timeless, but your perspective has changed. You relate to the characters and themes on a completely different level each time you see the movie.


I ran across one of those movies this past weekend…The Big Chill. This is the third time I've seen this movie. Once in my 20's, then 30's and now at the age of 43. If you have somehow managed to go through life without seeing this film, the plot is as follows. A group of close college friends who have drifted apart reunite after 15 years due to the suicide of one of them. Virtually the entire movie takes place in the home of one couple where everyone is staying. The characters themselves are in their mid to late 30s.


Various conversations take place over the course of several days. Discussions of how idealistic they were and how they were going to change the world versus what they've actually become. Marriages, affairs, one woman desperate to have a child with no prospects on the horizon and of course the suicide…the topic they dance around and finally all confront as a group.


The first time I saw this movie, I did appreciate and like it, but really couldn't relate to the experiences of the characters. They were so much older. I was in my 20s. Very much still in the idealistic phase. My life an open book before me waiting for the pages to be filled. Living on dreams of what the future would hold. I thought, "how could people get so far off track and compromise their ideals?" "How could things get so bad that one would even contemplate suicide?" I was naive and didn't know it.


The second time I saw this movie, I had already compromised myself. Allowing another person to tell me what to think, how to act and who I should be rather than who I actually was. All of this in the guise of love. Feeling I wasn't good enough for anyone else and lucky that I at least found this person willing to be with me, though I didn't deserve him. I had given up my art and almost everything else that brought me pleasure in life. Why? I don't have a great answer. Low self-esteem, a belief I was weak and couldn't make decisions on my own. Constantly criticizing myself with that infernal internal voice. I wasn't that naive anymore. I knew intellectually what was going on. That it was wrong. That what he was doing was not love, yet it was still difficult to leave to reach out for help; admit I needed the help.


Now not only do I have the same perspective as the characters, but also of one other I hadn't yet mentioned…the widow. She was not part of the college group, was quite a bit younger and compared to the rest, unsophisticated. She sits quiet for most of the movie listening to what is being said around her about her late husband. Learning things she never knew. This was the one way I related to her. Listening to people talk about their past with Tom. The past that took place before me. I could easily see myself in her eyes. I felt like I had been dropped into the movie. She didn't find the stories sad. Neither did I. I could now understand the regrets of the others. Time passed that can't be retrieved or altered. Paths seemingly so deeply rutted that one could never climb out to change direction. I could understand them, but do not share them. I believe you must learn from the past, but not dwell in it. I choose to move forward.


I find myself coming full circle. My life an open book before me once again. All directions open, but this time I have the wisdom that comes with age, an understanding of the mistakes of the past, the knowledge that I am not weak as I had believed for so long and finally that I am deserving of a love that doesn't compromise my true self but instead embraces it.



The painting:

"Can't See the River for the Trees"

-Brazos River, Texas

Water-Soluble Oils on Canvas Board

24" x 18"

Sunday, August 7, 2011

Fate's Lesson



It's been a while since I've written. I've been busy with both the day job, painting and volunteer projects, but perhaps I just needed a break from my relentless self psychoanalysis and needed to attempt to enjoy life again by just feeling instead of thinking. A new friend was discussing his personal situation and my husband's death with me over lunch and it seems we have in common the need to research and read extensively to educate ourselves when confronted with something unfamiliar.


He commented that I must have had to overcome anger toward Tom for dying. Except I never did. I wasn't angry. It wasn't purposeful. I also found that I couldn't relate to what I was reading about how to deal with a death. It didn't really apply to me or what I was feeling. I had already survived more than most people had to deal with in their entire lives even before Tom's death. My perspective was very different. I was left with my own thoughts on the situation. I wanted to move forward with my life. Fate has made a point of beating one single lesson into my head and it is this, "life is fragile–we are only guaranteed this very moment–make it count." I made a decision recently to do so and start dating. For the friends that I have talked to about it, you are pretty evenly split. Some of you are all for it and others think I'm making a rash decision and am opening myself up for more pain or to be taken advantage of. Let me assure you that the logical rational side of me is still firmly intact and in control. Okay, there has admittedly been a little heart denting in this process, but I've got a pretty good handle on it now. I won't settle just to be with someone instead of alone.


I had already gone out with a couple people when I'm informed that my company wished to present a Lifetime Achievement Award to Tom at our National Sales Meeting. I was asked to design it, accept it and speak. Upon hearing this, I am simultaneously honored, terrified and angry. It was truly a wonderful gesture and I do appreciate it greatly, but I am terrified of public speaking, though I apparently do a good job of disguising that as I'm actually speaking. Mainly though, I was a little angry that almost no one seemed to realize the potential to reopen wounds. To me this was essentially another memorial service...people speaking about his life, showing the video compilation of our life together...I didn't really want to go through this again, not now that I was moving forward. I knew everyone's heart was in the right place and I felt compelled to go through with it. If not for me, then for Tom's brother, Paul, who was flying in to attend.


I didn't sleep the night before, rewrote my speech 4 times and tweaked wording right up until a few hours before the presentation. I stood in front of the mirror in the hotel room and read it over and over out loud until I no longer stumbled over the words. When the video began playing, I could see the tears in those around me. I was determined to hold it together. I had planned to watch the video about 20 times beforehand to make myself somewhat immune to the content, but I hadn't. I tapped my foot nervously, staring down periodically at my piece of paper just wishing it was over, but my favorite picture came up. You know, the one that makes everyone laugh, Tom eating surrounded by the fur-kids evenly spaced in a semi-circle around him staring at the plate...cat, dog, cat, dog, dog...I can't help but smile at that.


It was finally time for me. I walked up to the podium and was nearly overcome by the thunderous applause. Though I felt I didn't deserve it. This was Tom's award. I do know it was to show support for me, for my loss. It was appreciated. I even made you laugh. You don't know how I agonized about putting Tom's joke about us working together in there. I wondered if it was appropriate, but in the end it felt right to me, so I left it in. Once I began talking, the anxiety diminished greatly. I was determined to do the best job I could for Paul, for Tom...and for me. I don't regret it. My fear was that if I didn't speak, that I would regret.


I felt solemn the next day, not sad so much as introspective. Was it the right decision to move on with my life? I will always love him, but my heart still has room. Fate's lesson has not fallen on deaf ears. So I take control of the reins and ride forward into the unknown.


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About the Painting:

"Sky Waves"
4 feet wide by 16" high
Acrylic on Masonite board

$1,495


When my sister and I were driving home from seeing the building where we had Tom's service, this was the scene before us as we turned into my development.

Monday, June 20, 2011

Divorce or Death.


It not like anyone chooses to live through either one of these scenarios, but I've been thinking a lot about the differences between them since my neighbor is trying to muddle his way through the aftermath of a recent divorce and had a particularly difficult time with father's day yesterday. It may surprise you, but I think divorce would be the harder of the two.


When Tom left the world, I knew I had been loved. My neighbor had his love, his family, disintegrate around him and in many ways it invalidated their previous years together. She cheated and she did the leaving. I was left also, but it wasn't purposeful. Wasn't his choice. I was still loved. My memories still intact.


My neighbor is surprised that he isn't further along emotionally. He still thinks about her being with someone else and can't seem to move on. I think about how Tom doesn't have to suffer with depression anymore. I couldn't fix it, only be there for him and it is a tough thing to watch someone go through that repeatedly.


I wonder if people reading my blog have the impression that our marriage was an effortless, perfect meshing of two people. It was not. We went through struggles and at times were nearly torn apart. It recently occurred to me that I had married a thunderstorm. From a distance a thunderstorm was beautiful and exciting, but if caught in the middle unprepared it was nerve-racking. It took years for me to not take his mood swings personally. To come to a real understanding of what he could and couldn't control. What was just the depression talking. I never doubted the love, though or failed to value his complete honesty or fierce loyalty. I could count on him in the long run and our love evolved to a very deep level.


My neighbor says he's not looking to date, though I saw reference to a dating site on his Facebook. When someone goes through a break-up or divorce their friends and family seem to encourage them to get right back out there. To look for someone new. This is not the case with death. Initially people looked at me and marveled at how well I was dealing with this and were happy. I believed in facing it directly. Not hiding my head in the sand. No living in denial. Analyzing why I was feeling what I'm feeling. I am much farther along in healing and moving forward than my neighbor. I believe this is because I was loved. I felt valued by another human being. I made a difference in someone's life. I still can.


Why is death treated differently? I'd like to date again. I'm not looking for a replacement or someone to take care of me. I can take care of me. I know this. I am doing things on my own and not asking for much help because I don't want to be reliant on someone else. Yet I feel that there is an unwritten assumption of a proper amount of time for grieving, like I'm supposed to put my life on hold indefinitely until others approve of my reentering the world. Six months, a year, tell me please what do you think is appropriate for my life? Would it mean that I loved Tom any less to date again? Do you want me to shave off my eyebrows (did you know that the ancient Egyptians did this to mourn their cats)? In Hinduism death is seen as just a turning point in an endless journey and excessive mourning would hinder the soul from moving to the next level. Mourners cannot help the dead. A period of 13-days of rituals starting at the completion of cremation is observed. I went through the rituals. The modern day versions. I threw myself into them.


I've seen it over and over, though.

The whispers.

"Can you believe he married again? It was only 6 months after her death."

"Dating? Really! What's wrong with her? Has she no shame?"


So what do I want?


Friendship. To connect. To feel alive. I don't know that I'm entirely sure. What I have learned repeatedly in my life is that we are guaranteed nothing except this very moment. We have to make ourselves happy first and not rely on others to do so. It is only then that we can give love freely without reservation and without conditions. I plan to be happy. Judge me if you must. It wouldn' t be the first time I've been the subject of rumor. I married the boss, remember…and that became a love story for the ages.



"Lemons"

Accept the bitter or turn them into a sweet delight.

Tuesday, June 14, 2011

Pronouns


I...we...my..ours...


Pronouns. Some of the simplest and most basic words in our language. It's how we relate information about ourselves to the world and likely some of the first words ever grunted by humans. They've gained a disproportionate power over me in the past few weeks. I'm stumbling over them. I find myself answering a question about something in my personal life and by default use the plural form and realize that, technically, it's incorrect. I am no longer a plural. It stopped me in mid-sentence and I felt compelled to explain why while standing in the middle of a public restroom. I knew the person I was speaking to would understand the distinction.


How many of you remember diagramming sentences in school? I was (still am) a geek. I enjoyed it and perhaps it was the first inclination of a love for written words. Yes, it is and perhaps I am, a bit neurotic in my quest for accuracy, but it's more than that. I frequently have a secondary dialog running in my head as I am speaking to others. It's like I am hearing what what I'm saying from their point of view or sometimes just critiquing myself unnecessarily and harshly. I realize that my word choice could remind them of my widowed status when I refer to we and our. It changes the way the other person relates to me at that moment. It is occasionally nice to have a conversation in which Tom is never mentioned. Where I can forget, even if it's just temporary.


The other day I was enjoying lunch with a friend and the subject of dogs came up. I was asked, "you guys have how many dogs?" I was suddenly ripped from my upbeat mood with the mention of the plural, but also having it used in the present tense' "you guys have." There is only me now. Only I have. There was no intention to hurt, but at that moment, I wanted to be seen as an I, not a we. I considered saying, "I have 5 dogs" with a little too much emphasis on "I," but that would have been mean and again, I realized that the person meant no harm. I have a hard enough time myself knowing which to use. I know that for a split second my facial expression changed. I tried to hide it and just answered the question, but am unsure if I was successful. I truly did not want them to feel badly.


I changed the message on my answering machine Sunday. I decided it was cruel to others to keep his voice on it. Perhaps I was torturing myself unnecessarily too. "This is Tom and Rebecca. If you'd like to, please leave a message." He sounded so upbeat, but I am no longer a plural.


I just giggled out loud. It occurred to me that two of the parrots say 'hello.' Perhaps I need to change the message again...


-----------------------

The painting just finished tonight is "High Tide Morning on Fripp Island"

36" x 24" acrylic on board

The first morning in South Carolina at the beach house I rented for our vacation in November

Friday, June 10, 2011

The Telling


I think I have nearly run out of places Tom and I ate regularly at where I will be confronted with questions about him. Last week the regular guy was back at the McDonald's drive-thru and was almost in tears when I drove up. I assume a co-worker of mine told them, since he said he heard and offered his condolences and asked if I was okay. Tuesday I went into Subway for a salad. The girl behind the counter asks, "where is your better half?" I'm not alone in line and don't want to broadcast it, so I lean in and tell her while I fight back tears and then stare at the sliced tomatoes. I hold it together until I get to the car then completely lose it and try to reason out why telling new people bothers me so much. I don't really know anything about her or her life. I don't have a tangible connection with her. I can talk about him just fine with people who I've already told. Once it's out there, I'm okay. I still haven't quite figured this out.


Wednesday I'd asked a co-worker to lunch and Tortilla Flats in Roanoke was suggested. I started to balk thinking, oh God, it's going to happen again, as we had gotten to know the owner, Brenda, quite well. Tom had even snuck her burritos to me while I was in the hospital, so she had been well aware of how sick I'd been. Over the years, though, she had been at the restaurant less and less as she let the employees take over the day-to-day. I figured I was okay. We ordered food, sat in the open-air patio and enjoyed a nice conversation. Upon leaving we went back inside for more tea, but the tea was missing. Brenda turns around holding the tea container and exclaims, "Rebecca, where have you been? How are you?" She gets bonus points for recognizing me. So many people that didn't see me very often have actually not realized who I was when they saw me as my body went from 95 pounds to 88 pounds to 130 pounds and now back down to 105 due the effects of disease, throwing high dose steroids at it, stabilization on the correct treatment and then recent additional weight loss from stress of the death have had complete control over my body. I say, "Oh, around," and "My health is much much better." Here it comes. "How's Tom?" My poor friend is standing a few paces back knowing about the 2 previous instances and is probably afraid he's about to witness me dissolve into a quivering puddle. Brenda grabs my hand as I tell her and hugs me several times. She had actually been afraid that I had passed, since she hadn't seen us in a while. We both realized the irony of the entire situation. It should have been me.


I didn't dissolve, though. It was easier than it had been. Though I did walk past the driver's side of my car when I went to leave, so I may have been a little flustered. I promised her I'd come for lunch more often. My friend says that he can't imagine what I must be going through. There really isn't any way to explain it and I think it's different for everyone. I really have no desire to dwell in the past and I think that has gone a long way toward allowing me to move forward. I'm still painting. I decided to go ahead and enter a few of the shows whose deadlines are fast approaching. I was initially going to just forgo the rest of the year as far as juried shows went, but it's best to keep my work out there. You never know when it's going to lead to a new opportunity. So one foot in front of the other. Even with the occasional stumble, it's still moving forward.



The painting is "The Old Power Plant"

Each October during Harvest Moon Festival, they fire up the machines in the Old Power Plant near the Historic Square in Granbury. It's not something to be missed. Admist the roaring machines, this quiet corner by the window was calling out to me.

Friday, April 8, 2011

The Dark and the Light


I know it's not a 'pretty picture'...a dying cedar tree. If you look at my work, the majority falls within the generally accepted realm of what is beautiful or pleasing. If you form an impression of what you think I'm like in person based on it, you may end up pretty far off the mark. In my life I have often been drawn to things that are not pretty in the traditional sense. I see beauty in the ususual. I have a fondness for reptiles and kept large lizards for many years. I love bats. I used to grow carnivorous pitcher plants and was recently thinking of getting more. I'm fascinated with the biology and psychology of mental illnesses. I like to understand the motives behind what people do or say and take little at face value. I think medical examiner would be a pretty cool job.

Perhaps I need beauty in my art. The light to balance out darker side of life in general, but you can't have one without the other. Ignorance may truly be bliss, but I choose to understand and accept that everyone has both dark and light within and to deny this is to not know yourself.

So this cedar tree with its octopus like tentacles reaching out in all directions is not so much an anomaly for me, as it is just another part of myself.

About the painting:
I used a glowing, orangey background to make the time of day less easily pinpointed as well as making the tree feel even more isolated since you can't see it's surroundings.

"Last Days"
-Near Sedona, Arizona
Acrylic on Board
8" x 10.5"
note: dimensions are unframed size
comes framed
$390
Currently accepting checks and PayPal
or pay in installments.
Contact artist for details.

Read more of Rebecca's blog entries at rebeccazook.blogspot.com
See all Rebecca's work at www.rebeccazook.com

Thursday, March 31, 2011

Painting with Plants


The miniature irises in my garden are the first to herald the coming Spring. From that point until the first freeze a battle ensues. My drive to paint pitted again a passion to dig in the dirt. My garden is an ever evolving living canvas. Plants are my paints. I play with their colors, textures and placement in much the same way. I have favorites that I come back to year after year, but new plants are explored with some succeeding, some failing. It's a learning process.


This past weekend I made my first nursery run of the year though I didn't intend to plant yet. Past experience taught me that waiting until the right time to plant often meant missing out on the best selection from those who were jumping the gun and buying too early. Particularly when it comes to the coleus that I always plant in my shaded bed. Right now they are filling the kitchen counter after the temperature dropped 30 degrees the day after I bought them (but I got what I wanted).


After I loaded up the two-tiered cart with plants at the nursery, I realized that I didn't have the strength to push it up an incline to go toward the area to pay. I get the most irritated at my illnesses when I'm caught off guard. I forget that I don't have the strength to do things I used to. The cart wasn't THAT heavy. An employee came by and offered help, which I accepted, though irrationally, I felt inept that an older woman was having to help me. I was compelled to explain that I had illnesses and was a little weak fearing that she might think I was lazy. I should have been able to move a stupid cart. She said that maybe the flowers would make me feel better. Flowers always make her feel better. Yes, I do love my garden and it definitely brings me joy.


This is when I came to a second realization of how my garden is a reflection of me. First, of course, it's another form of art. Another outlet for creativity. Secondly, the state of my garden also mirrors the state of my health. I thought about when we first moved into the house. The yard was wild, natural. Trees, yucca and cactus. Rock on the ground. No grass. I didn't want to tame it completely just provide some structure and places for plants that needed actual dirt to grow. I started excavating and building. Hauling rocks around. Bringing in dirt. Nothing could stop me. As I got sick, the beautiful garden I built suffered neglect. I'd try to work in it. At one point I couldn't last 15 minutes pulling weeds without total exhaustion. The summer I spent 6 weeks in the hospital, the summer I nearly died, my garden was drying up, brown with neglect, only the hardiest plants stood a chance. When I returned home, I was shocked at the change in the way it looked, but I also was unrecognizable to those who knew me. Even to myself. Slowly the garden and I are recovering. The damaged parts of ourselves regrowing together. Both of us flowering.


About the painting:

This piece, "Mum Shadows," is from a photo I took last Fall in my garden. The mums grow next to a sandstone boulder and I was attracted to the long blue shadows they cast onto the rock. They are of equal importance to this piece as the flowers themselves. I likely painted the first flower 5 different times trying to work out the best method of portraying the petals to stay true to the plant. Unlike the uniform, structured pots of mums that can be purchased each fall, I like to let mine grow back year after year so that they take on a more natural appearance. This piece will be on display

in the historic downtown square in Granbury, Texas for the Gardens of Granbury and Glen Rose painting and photography show April 27th through May 1st at Granbury Square Plaza. Stop by. I'll be painting both Friday and Saturday nights. I haven't signed it yet. I'm fighting with myself on whether it should horizontal or vertical


"Mum Shadows"

9x12

Acrylic on board

$325.00


See all of Rebecca's work at rebeccazook.com

Thursday, March 24, 2011

Brain Stuck in Overdrive!

At some point in my life, I forgot how to turn my brain off. That may not seem like much of an issue at first. I tend to accomplish a lot in a short amount of time and have become a master multi-tasker. The problem is that when I get what I need to do done, I just move on to something else or come up with more things to do. Never just...stop.

As a child I would lay in the grass in the backyard and stare up at the sky. I would swear I could feel the earth turning and the hear the sound of air molecules moving. I felt the sun. I remember how when I closed my eyes my field of vision was a wash of red from the sun penetrating my eyelids and its blood vessels. Watching the sun move lower in the sky, I studied the way the changing light altered the way the surrounding landscape looked and felt. I say 'studied' but it was more through osmosis. Not some conscious, meticulous thought process, just feelings and impressions soaking into my soul.

The last couple of weekends have been quite nice and I've opened up the windows in the house. My drawing table is next to the door leading out into our screened porch. I opened it all the way. At some point I became aware of the breeze flowing through the room, the sound of birds singing, windchimes tinkling and I stopped painting for a moment. I felt a part of the Earth again. A connection I've been missing for some time now. I felt a calmness. It felt good.

When my husband and I went to South Carolina last November we spent a lot of time outdoors, but my brain was in full gear. Analyzing the surrounding landscape. Camera in hand. Looking for compositions for potential paintings. I never just stopped to enjoy myself without self-applied pressure to accomplish something.

Lately, I've been thinking about my responsibilities. Some necessary and unavoidable. I have to work a day job. I have to have the medical insurance. Fortunately, as a Graphic Designer I have a job that feeds my creative needs. I have to paint too. I just do. It's who I am. I am a driven person, and everything I've taken on I can accomplish, but at what price? I have chronic illnesses. They do impact me and I need to admit that to myself. Taking down time for my benefit alone is something that I NEED to do. Not fill up every minute of every day. Self-induced stress can only be doing harm.

On the commercial side, you have to be creative on demand to succeed. Not wait for 'inspiration' and I firmly apply this philosophy to Fine Art. At the same time, though, I believe that to keep the ideas flowing, I may need to take a step back in order to move forward. Clearing the conscious mind will leave room for the subconscious to breathe new life and creativity into the process.

There's an achievable balance here...somewhere. I need to get off this tightrope I'm walking onto solid ground and find it. One step back and 2 steps forward. I'll get there and hopefully calmer, happier and healthier than I am now.


About the painting:
This is the view from my back deck. One of our notorious Texas thunderstorms had just passed over. The low sun turned the clouds lavender and orange. Bee Creek is a natural creek (though artifically widened at points) that leads into Lake Granbury.

"Storm Clouds Over Bee Creek"
-Granbury, Texas
Acrylic on Board
16" x 12.25"
note: dimensions are unframed size comes framed
$595

• See all of Rebecca's work at www.rebeccazook.com
• Read more blog entries from Rebecca at rebeccazook.blogspot.com

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Thursday, March 17, 2011

The Science of Art


While flipping channels trying to find something to watch other than CSI or Law and Order...our defaults when nothing else seems to be on (and those shows are ALWAYS on), I ran across a news show that did a small piece on mirror neurons in the brain. I have a fascination with all things Science, so I was immediately drawn in. When you are performing an action, let just say bouncing a ball, certain neurons in your brain fire. Scientists discovered that if you watch someone else bouncing a ball, some of the same neurons still fire and if you even hear the sound of a bouncing ball those 'mirror' neurons fire in response. Our brains seem to be forming a simulation of the action in our minds. We experience it almost as if we were actually doing it. It's also been shown that if you watch someone getting poked with a needle, that this mirror system in the brain can cause neurons associated with pain to fire. You didn't actually get stuck. It may be all in your mind, but it causes a real physical response.

So what does this have to do with art. Many researchers now believe that the mirror neurons are responsible for our ability to empathize. Empathy is defined as the identification with and understanding of another's situation, feelings and motives. You saw someone stuck with a needle and feel badly for them and the pain they had to experience. I think that without empathy, art wouldn't have the impact it does. Great works of art can certainly run you through a whole gamut of emotional responses. Bold brush stroke or vivid colors in an abstract might make you identify with the artist and imagine them angrily painting. If the work is figurative, the facial expression or pose of the figure will cause you to identify with the subject of the painting rather than the artist.

The next time you are at admiring a piece of art, thank those mirror neurons.

About the Painting:-click here to learn more about this painting
"Wednesday's Child"
Acrylic on Board
16" x 24"
note: dimensions are unframed size
comes framed
$795

See all of Rebecca's art at www.rebeccazook.com
Read more blogs by Rebecca at rebeccazook.blogspot.com




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Friday, March 11, 2011

My Heart to Japan

I had my blog all ready for today, but in the wake of this morning's earthquake and tsunami in Japan, my blog doesn't really seem all that important anymore. Let's just all focus on those affected by Mother Nature's fury and do what we can to help.

Flowers are a sign of rebirth and given in death. I wish the those impacted a rapid recovery and we mourn your dead with you.

"Purple Iris Trio"
Acrylic on Board
4" x 6"

Friday, March 4, 2011

"Xeric Beauty" acrylic painting by Rebecca Zook


"Xeric Beauty-a Texas Garden"
Acrylic on Board
9"x12"
note: dimensions are unframed size
comes framed
$325.00

A little scene from my heat-tolerant garden.
Ice Plant, Catmint, Liatris (not in bloom) and Mexican Hats

Art As Language



I looked up videos teaching ASL (American Sign Language) online and came across this statement, "250 signs will cover 90% of what is commonly spoken." I was shocked and not entirely sure what to think. The vastness of our language gives us the ability to communicate such subtle nuances of meaning and emotion. I relish the nuances and the creative use of language. 250 signs? Well, I guess if all you want to accomplish is basic communication, some might see this as a good thing.


Art is similar. Anyone can pick up a brush and paints and given a little instruction and time come up with a pleasing piece. I think the best painters, though, aspire to much more. They are able to evoke a 3-dimensional space, movement or emotion from the viewer with deliberate brushstrokes. Small and tight or large and loose, each has the potential to draw you farther into the work or convey a specific emotion just like words in a novel. It's amazing to me to look at a flat 2 dimensional piece and have a response, to feel something. When I get a response like that from a stranger to a piece I created, it's truly the ultimate compliment.


Space, tone, texture, color, composition, balance, symmetry, movement...just a few tools that painters have at their disposal and of course each medium has its own inherent qualities to consider. Mastery of them can take a lifetime.


Keep exploring. Never stop learning. That's my plan.


About the painting:

"Late Lunch"

16" x 12" (art dimensions not including frame)

Acrylic on board

$1,200


A scene from a BBQ restaurant in Keller, Texas


See all of Rebecca's art at www.rebeccazook.com


Friday, February 25, 2011

Stop then Go


A friend I know in real life posted on Facebook that she was going to start painting again after a long hiatus. Glass had been her medium of choice for years and she was experiencing some trepidation about returning to painting. Most responses indicated not to worry...everything you do is great. Personally, I wouldn't find that very helpful. If you jump into it waving your paintbrush around like Harry Potter with his wand expecting some magical connection between your brain and brush, you're just going to end up turning yourself into a toad and wondering how things went so terribly wrong. Clear the cobwebs first and don't get disappointed if the first few forays aren't quite perfect. I went through this firsthand.

When I first started painting again after nearly 7 years of not painting, I was somewhat terrified. Questions plagued me. Can I still do this? What medium should I use? How big? How small? What style? What subject? What if I fail?

That was the real fear…what if I fail. I think my personal identity had become so entangled with my artistic skill that if I failed, who would I be? No matter what subject I became interested in as a kid, I was always still an artist whether I realized it or not. I wanted to be a marine biologist, so I read books by Jacques Cousteau and drew dolphins and whales. I wanted to be a veterinarian and drew all kinds of animals. I wanted to be an archeologist or anthropologist, so I drew hieroglyphics that I saw at the King Tut exhibit or drew the evolutionary stages of man. I loved the science, still do, but I loved drawing and painting more.

I had continued to work as a graphic designer or freelance illustrator, so it wasn’t as if I had stepped away from art all together, but staring at a blank canvas was not the same to me as staring at a blank computer screen with a given set of elements to work with…the product, the copy, the marketing goal. The blank canvas allowed for an infinite number of choices. Choices that were all mine to make. Making the wrong choice terrified me. You might be thinking, “there aren’t any wrong choices in art,” I wouldn't agree and in my mind every mistake is permanent, non-erasable. When I have made a mistake, I beat myself up more than anyone else ever could.

I think much of my problem was that I always knew who I was. I never HAD to explore or try new things to figure out what I wanted to do. I had never really floundered in any part of my life. I had never spectacularly failed at anything. A painting professor I had in college told me that most of his students were like sponges, trying out all the styles or suggestions he offered, but I wasn’t. I integrated into my work what I thought fit and disregarded the rest. He was neither complimenting me or criticizing me, merely pointing out a characteristic I wasn’t consciously aware of. I really hadn’t been aware of this trait in myself and I think I missed out on new discoveries or personal revelations because of it.

I did finally choose a medium, realized that I hated canvas and preferred to paint on hard board, and decided not to limit myself to one particular subject. The fear of failure still hovers above me. It’s just part of my nature, I can never really banish it. I have discovered that the paintings I wanted to throw in the lake at some point during their creation are usually the ones people respond to the most. It seems that the more I push myself and do struggle the stronger the result.

I have learned more about myself through my art. Setting up a challenge and working through the struggle is how to grow as an artist and as a person. I try not to become complacent or paralyzed by fear. I’m learning to take chances. My art is still completely tangled up in how I perceive myself, but I think I like it that way.

About the Painting:
"Mini Iris 2"
Acrylic on Board
6" x 4"
note: dimensions are unframed size-comes mounted in black floater frame
$175.00
These miniature irises are blooming in my garden right now. The first sign that spring is on its way.